Musical Themed Paintings

Musical themed paintings can be fun to find and fun to buy. I have a musician friend that recently purchased a new home. She bought new furnishings and asked me to find a new painting for her. I found her a fabulous creation by Osnat. It was an enormous, gallery size painting.

My friend?s new furnishings were very contemporary and the Osnat musical themed painting I bought for her was breathtaking when all five parts were mounted. The musical staff ran the length of the painting with musical notes painted on it. The painting had pretty shades of yellows and oranges. It looked so elegant.

I found a still life musical themed painting of a guitar to buy for a friend. He always has had beautiful pieces of art in his home and he wanted to change some of the pieces he had grown tired of. The abstract piece that I found really struck a cord with my friend and he ended up buying another painting from the same artist.

I found a painting that was called Music of Fire that didn?t really seem to have a musical theme. I showed it to a friend and she told me that the flames looked like they were dancing. She told me that I was using a very narrow definition of musical themed paintings when I was buying art.

Abstract guitars really seem to be my favorite musical themed paintings. I like to buy them when they jump out at me. There is an artist named Slazo that is very prolific with his musical themed guitar paintings. He has had a lot of exhibitions in Florida.

A friend of mine asked me to find artwork by an Armenian named Aram Koupetzian. I was able to find a musical themed painting called Rondo by this artist. It was really intriguing. I?ve never purchased a painting in the Cubist style before. The exact style of this musical themed painting was Synthetic Cubism. I liked it a lot. There is a lot to look at in the painting.

A couple of years ago, a good friend of mine graduated from the University of Texas in Austin with a degree. He had a double major of music and education. He got a job as an assistant band director at a middle school in Austin. As a combination graduation and new job present, I bought him a musical themed painting.

The musical themed painting that I chose was painting by Tilo Rothacker that depicted a jazz musician playing a trumpet. It was so very colorful and it felt a lot like New Orleans. My friend and I had visited the French Quarter several times together. This musical themed painting celebrated his life changes and our friendship perfectly.

My younger sister is quite the accomplished violinist. She moved to New York and went to Juilliard. Her path changed after a couple of years in New York. She stopped pursuing the violin as a career, but her love for her music never waned. I bought her a musical themed painting when she bought her apartment. It was a contemporary abstract with brilliant rich jewel tones that depicted a woman violinist.

I was looking for musical themed paintings one day when I found Melody of Sunset for sale. I?m not sure why this painting bothered me so much. The woman was playing the piano, but she seems disembodied and strange. Her eyes were closed. This musical themed painting just did not strike a cord with me and I did not buy it.

My favorite musical themed painting in a long time was The Sound of Jazz. It was painted by Sarah Kinan and it is gorgeous. It is hard for me to not smile when I?m looking into this painting. The background looks like confetti and the foreground is filled with musical instruments. This musical themed painting can be described as feeling like a party.

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Buying Folk Art Paintings

Buying folk art paintings has become a passion of mine. I?ve been looking for them everywhere it seems. I found a bunch of folk art paintings recently and I am having trouble deciding which one to buy.

There was a folk art painting by Rev. Howard Finster that is titled Howard in 1944. This is an all enamel folk art painting that was painted in 1988. The smile on this portrait is very engaging and makes me smile just as big.

I am also really taken by a folk art painting that was painted by painter Bill Dodge in Oct 1962. The title of the painting is First Trolley To Van Nuys. The painting is on board and depicts the center of town with all the people in town. They are in the windows and on the street. The town market, bakery, Hotel Van Nuys, an ice cream parlor and the Wing Lee Laundry are all depicted in vibrant color. The women in the foreground are against the Trolley and their signs say “Ban the Monster” and “Keep Van Nuys rural”.

Thomas Chambers is one of America?s foremost folk artists. I found a piece by him that I just don?t like very much. It is a bit austere for my tastes. The subject is a fishing scene with villagers and boats. I don?t think that I will purchase this folk art painting because I just don?t like it.

There was a folk art painting I found called Alligator Fisher that was painted in 1940 that I really like. The blue of the bayou is very calming and the trees give it a very Southern feel. There is a swamp house in the painting and I like this one very much. It reminds me very strongly of Louisiana.

My mother started this passion of mine for folk art paintings. She had a folk art painting by John Roeder in our parlor growing up. I used to spend hours just staring into it. The trees were so relaxing to lose myself in. I have asked her to give me this wonderful folk art painting many times, but she says that I will have to wait until after her funeral!

I found one folk art painting during my journey that I felt sad every time I looked at. The name of the painting is A Letter from My Mother. The look in the girl?s face is so serious and sad. I have no idea where this folk art painting should hang. The painting itself is magnificent; it just makes me feel sad.

There is a whole subset of folk art paintings that represent black Americana. I don?t usually buy any of these pieces as they don?t speak to my experience. I did find one piece that I purchased for a collector friend of mine that loves this type of art. The folk art painting had a whimsical feel to it and a woman relaxing in a hammock. He hung this in his hallway and has loved it for a long time.

My brother likes folk art paintings as much as I do. He prefers animals to be the subjects of paintings he purchases. I found a lovely clouded leopard folk art painting for him last Christmas and he has asked that I keep my eyes open for more like it. He said that he will buy any art I find for him because he trusts that I know and understand his tastes.

I have kept my eyes open for animal themed folk art paintings for my brother, but I just can?t seem to find any as nice as the leopard that I got for him. The grand extent of animal themed folk art paintings I?ve found recently was a painting of two owls on a limb and I know that he would not like it. Ever since we were kids, owls totally freak him out.

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Buying Impressionist Cityscapes

I have been looking for impressionist cityscapes in various mediums to decorate my home. I prefer to hang art that was created in the last fifteen years. There are so many great artists to choose from.

I have decided that I want to have three impressionist cityscapes painted in acrylic. I will be buying one called Stormy Desert that was painted by an artist named JoanAnn. The piece is painted on a 40? X 30? canvas and has flowering cactus plants in the foreground.

The next impressionist cityscape painting I plan to buy is called Tuscan Waterfall. The piece is a triptych and is on three gallery wrapped canvases. The artist lives in Tennessee and supports herself with her art.

The last acrylic impressionist cityscape that I plan to buy is called Autumn Dream. Autumn is my favorite time of year and the painting captures every color of autumn. The artist painted the sides, so there is no need to have it framed. I can?t wait to see this hanging in my home.

I have found only two impressionist cityscapes that I liked in the Gouache medium. The first was from an artist named Joe Wojdakowski and the subject is an area located in Wells, Maine. I?m not sure why I am so drawn to this particular impressionist cityscape, but I am and plan to buy it.

The other Gouache impressionist cityscape that I plan to buy features Big Ben in London. The artist is an Englishman named Alasdair Rennie. The scene is rainy and I like it a lot. It reminds me of my time in London when I was a child.

The first oil impressionist cityscape painting I bought was called Koi Pond Reflections. I?ve seen this artist?s work before and I always really like it. The painting was completed using brush and knife. The painting has not arrived, yet, because the paint is very thick and needs to complete the drying process undisturbed. I cannot wait to get it!

I really like having various styles of impressionist cityscape paintings. I don?t just like variety in the mediums; I like variety in styles and influences. I really fell in love with an oil impressionist cityscape painting called En Sendero that was originally purchased in Oaxaca, Mexico. I purchased the painting for just over three thousand dollars.

The oil impressionist cityscape painting of Paris that I want was painted by a well recognized painter Radik Atoyan. He is Armenian and signed the painting in his Armenian language. He has a unique way of using color that just makes his painting look special.

I have also been interested in watercolor impressionist cityscape paintings. There is an original painting that depicts an urban rainy night that I think would be perfect for me. The painting just makes me feel good to look into.

I made a purchase not long ago that was painted by an Israeli artist named Yosef Kosssonogi. The use of color in this watercolor impressionist cityscape is so vivid. I could not wait to hang it on my wall. After the shipment arrived with the painting, my brother came right over with a level to hang it.

I found a painting that reminded me of a vacation I took to Pittsburgh, Pennsylvania. The impressionist cityscape painting was created by Adam Maeroff and I think that it is the perfect painting to complete my collection.

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?Buying Paintings: Futurism

A 20th century art movement with its’ roots in Italian and Russian beginnings, Futurism is said to have largely began with the writing of a 1907 essay on music by the Italian composer Ferruccio Busoni, and explored every medium of art to convey its’ meanings. The Italian poet Filippo Tommaso Marinetti was the first to produce an article in which was summed up the major principles that became the Manifesto of Futurism in 1909. It included the passionate loathing of ideas from the past, and with that enmity of political and artistic traditions, espoused a love for speed and technology.

The philosophy of Futurism regarded the car, the plane, and the industrial town as legendary of the technological triumph of mankind over nature. With Marinetti at the helm, a few artists of the time introduced the tenets of the philosophy to the visual arts, and represented the movement in its’ first phase in 1910. The Russian Futurists were fascinated with dynamism and the restlessness of modern urban life, purposefully seeking to provoke controversy and attract attention to their works through insulting reviews of the static art of the past, and the circle of Russian Futurists were predominantly literary as opposed to being overtly artistic.

Cubo-Futurism was a school of Russian Futurism formulated in 1913, and many of the works incorporated Cubism’s usage of angular forms combined with the Futurist predisposition for dynamism. The Futurist painter Kazimir Malevich was the artist to develop the style, but dismissed it for the inception of the artistic style known as Suprematism, that focused upon the fundamental geometric shapes as a form of non-objective art. Suprematism grew around Malevich, with most prominent works being produced between 1915 and 1918, but the movement had halted for the most part by 1934 in Stalinist Russia.

Though at one point, those Russian poets and artists that considered themselves Futurists had collaborated on works such a Futurist opera, but the Russian movement broke down from persecution for their belief in free thought with the start of the Stalinist age. Italian Futurists were strongly linked with the early fascists in the hope for modernizing the society and economy in the 1920s through to the 1930s, and Marinetti founded the Futurist Political Party in early 1918, which was later absorbed into Benito Mussolini’s National Fascist Party.

As tensions grew within the various artistic faces that considered themselves Futurists, many Futurists became associated with fascism which later translated into Futurist architecture being born, and interesting examples of this style can be found today even though many Futurist architects were at odds in the fascist taste for Roman imperial patterns. Futurism has even influenced many other 20th century art movements such as Dadaism, Surrealism, and Art Deco styles. Futurism as a movement is considered extinct for the most part with the death of Marinetti in 1944.

As Futurism gave way to the actual future of things, the ideals of the artistic movement have remained significant in Western culture through the expressions of the commercial cinema and culture, and can even be as an influence in modern Japanese anime and cinema. The Cyberpunk genre of films and books owe much to the Futurist tenets, and the movement has even spawned Neo-Futurism, a style of theatre at utilizes on Futurism’s focuses to create a new form of theatre. Much of Futurism’s inspiration came from the previous movement of Cubism, that involved such famed artists as Pablo Picasso and Paul Cezanne, and created much of the basis for Futurism through its’ philosophy.

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Buying Paintings: Precisionism

Also known as Cubist Realism, and related to the Art Deco movement, Precisionism was developed in the United States after World War I. The term for this movement was coined in the 1920s, and influenced by the Cubist and Futurist movements; the main themes for these paintings were mainly regarding industrialization and modernization of the American landscape. These elements were depicted with the use of precise and sharply defined geometrical shapes, a reverence for the industrial age, but with social commentary not a directly fundamental part.

The degrees of abstraction ran the spectrum as some works had photo realistic qualities, and though the movement had no presence outside of the United States, the artists that made up this particular grouping were a closely knit collective remaining active through to the 1930s. Georgia O?Keefe remained as one of the leading proponents of this style, and stayed so for many years afterwards until the 1960s, her husband was a highly regarded mentor for the group. In a post post-Expressionist phase of life in the art world, Precisionism has affected and influenced the movements of magic realism which utilizes aspects such as juxtaposing of forward movement with a sense of distance, and pop art in which themes from mass culture were used to define art much there forward.

Just after the 1950s began, the movement of pop art was clear in places such as Britain and the United States, and employed elements of advertising and comic books to create a foundation that might have been taken as a reaction to the then popular movement of abstract expressionism. Though the term wasn?t coined until 1958, it was later linked with Dadaism from the beginning of the century, and at one point was called Neo-Dada because of the strong influence from artist Marcel Duchamp. Later affecting artists like Andy Warhol and Jasper Johns, bringing the definition to come to mean one of low-cost mass-produced and gimmicky artwork, and stressing everyday values with common sources like product packaging and celebrity photographs.

By exploring that fraction of everyday imagery, the artists found themselves working with contemporary consumer culture, and this became apparent in parts of Britain, Spain, and Japan around the same point in time. In Britain in particular, where pop art seemed to stem from at that point in 1947, and many works began blurring the boundaries between art and advertising. Whereas in Spain, the movement became interrelated with the ?new figurative?, the work arose from the roots of informalism which began to be a critical aspect in this part of the world.

In Japan, pop art has been seen and utilized throughout much of the country?s native artwork through such means as Anime and the ?superflat? styles of art, and became the means through which the artists could further critique their own culture through a more satirical lens. When choosing a stimulating piece by these artists, it may be a more invigorating exercise to find some of those other artists to whom these later artists owe much of their inspiration towards their own work, and Precisionism is just as appropriate a place to start for you as anywhere else in the artistic spectrum.

Today, Precisionism can be seen as fundamental influence in commercial and popular art, but cannot be too overlooked as being one of a few different movements to affect our present day stance on art?s utility and functions. With the postmodern present coming to light, maybe we shall once again be drawn back to the past that we have come to take for granted too often, and reveal a new age to define a new century of experience.

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Buying Paintings: Symbolism

Evoking a taste similar to the Romanticist tradition, but utilized mysticism and sensitivity through mythology and dream imagery, preceding the psychoanalytical work of Freud and Jung. With a strong philosophical touch, more so than a style of art, and Art Nouveau and Expressionist artists such as Edvard Munch. Beginning in France as a reaction to the movements of Naturalism and Realism, which seemed to capture the particular components of consensual reality, and presented spirituality and imagination reflecting some artists budding interest in religion and spirituality.

In literature, poet Charles Baudelaire was developing his work and the movement, and especially with such luminaries as Verlaine contributing to the collective effort of the literary movement during the 1860s and through to the 1870s. With the works of Edgar Allen Poe coming to popularity in the 1880s, the Symbolism movement in artwork represented an outgrowth into the darker and more gothic nature of Romanticism, and contrasted with Romanticism?s rebellious and impetuous sides. Symbolist writers wrote in very metaphoric and suggestive manner, to imbue the subjects with a sense of symbolic meaning, and made realistic images into representatives for more esoteric and primordial ideas.

In translating the language of dreams into artwork with symbolic leanings, discovering a visual style that draws upon that philosophical approach that captures a sense of art that has been influential on more than one movement artistically, and has evoked some of the more fantastic imagery to ever cross a canvas. The Symbolist Manifesto was published in 1886, leading to a description of the movement that included ideas such as being hostile towards plain and matter-of-fact meanings, and to express the ideal in a perceptible form was the sole purpose of this art form.

Symbolists that preferred poetic means of conveying their ideas, were known for their techniques of removing technical aspects to achieve a greater fluidity for their work, and became related with seeking use of symbolic images over raw description to evoke the state of the poet?s soul. Paul Verlaine was influential in an 1884 publication defining the essence of Symbolism, through many essays on the relevant poets of the day, and came to the conclusion of relating the works of this movement to the famed philosopher Arthur Schopenhauer, whose own work delved into art as a means of refuge from the strife of the world.

These similarities, which presented a contemplative and artistic refuge using themes such as mortality and otherworldliness, created disparaging arguments between critic and artist alike. Leading to many Symbolist poets of the day to make their own publications and periodicals, and the literary Symbolism then reached its? peak in the year 1886, with one particular periodical lasting until 1965. Though the two aspects of the movement were distinct, they would occasionally overlap each other, and became a continuation for mystical tendencies in a Romantic tradition, even flirting with the self-consciously dark Decadence movement.

There were several dissimilar groups of painters and visual artists within the Symbolism movement, and the artistic movement seemed to have a greater impact worldwide than the literary movement, reaching multiple artists and sculptors from such distinct parts as Russia. Many of the symbols found herein are not necessarily universal, but more personally affected with the artist?s obscure and private references, with some dreamlike subject matter influencing later Surrealists. Symbolism has had a strong link to music for a while, and mostly due to the enthusiasm for the work of Richard Wagner, whose own music reflected his influence from the philosopher Schopenhauer.

Symbolism even grew to affect some of the literary fiction contributed by Oscar Wilde and Paul Adam, and has a pronounced ring when speaking about movements that have literarily and artistically that have crossed over into other inner groupings of artistic work. The waters of Symbolism have even filtered down the centuries into the state of motion pictures today, and early on held influence with Russian playwright Anton Chekhov, as well as Russian actor and director Vsevolov Meyerhold?s method of acting that influenced early motion pictures.

It is difficult to overlook Symbolism?s influence and repercussions throughout the timeline to the current period of the world, as it drifts through many aspects taken for granted on a daily basis, and many pieces of work for many artists from writer T. S. Eliot to painter Pablo Picasso and even the state of horror films as well. A decidedly different state of the world now has interpreted and reinterpreted all this throughout these hundreds of years, and created more and more material reflections of the state of things as they happen to be.

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Buying Paintings: Cubism

What started out as a rather avant-garde art movement has become one of the greatest examples of artistic forms breaking that mold of convention, revolutionizing European painting and sculpture up to the present century, and was first developed between 1908 and 1912 during a collaboration between Georges Braque and Pablo Picasso with influences from the works of Paul Cezanne and Tribal art. Though the movement itself was not long-lived, it began an immense creative explosion that has had long lasting repercussions, and focused on the underlying concept that the essence of an object can only be captured by showing it from multiple points of view simultaneously.

The movement had run its? course by the end of World War I, and influenced similar ideal qualities in the Precisionism, Futurism, and Expressionistic movements. In the paintings representative of Cubist artworks, objects are broken up and reassembled in an abstracted form, and the artist depicts the subject in a multitude of viewpoints instead of one particular perspective. Surfaces seemingly intersecting at random angles to produce no real sense of depth, with background and object interpenetrating with one another, and creating the shallow space characteristic of Cubism.

French art critic Louis Vauxcelles first used the term cubism, and it was after viewing a piece of artwork produced by Braque, the term was in wide use though the creators kept from using the term for quite some time. The Cubist movement expanded from France during this time, and became such a popular movement so quickly that critics began referring to a Cubist school of artists influenced by Braque and Picasso, many of those artists to Cubism into different directions while the originators went through several distinct phases before 1920.

As Braque and Picasso worked to further to advance their concepts along, they went through a few distinct phases in Cubism, and which culminated in both Analytic and Synthetic Cubism. With Analytic Cubism, a style was created that incorporated densely patterned near-monochrome surfaces of incomplete directional lines and modeled forms that play against each other, the first phases of which came before the full artistic swing of Cubism. Some art historians have also pegged a smaller ?Hermetic? phase within this Analytical state, and in which the work produced is characterized by being monochromatic and hard to decipher.

In the case with Synthetic Cubism, which began in 1912 as the second primary phase to Cubism, these works are composed of distinct superimposed parts. These parts, painted or pasted on the canvas, were characterized by brighter colors. Unlike the points of Analytical Cubism, which fragmented objects into composing parts, Synthetic Cubism attempted to bring many different objects to create new forms. This phase of Cubism also contributed to creating the collage and papier colle, Picasso used collage complete a piece of work, and later influenced Braque to first incorporate papier colle into his work.

Similar to collage in practice, but very much a different style, papier colle consists of pasting materials to a canvas with the pasted shapes representing objects themselves. Braque had previously used lettering, but the works of the two artists began to take this idea to new extremes at this point. Letters that had previously hinted at objects became objects as well, newspaper scraps began the exercise, but from wood prints to advertisements were all elements incorporated later as well. Using mixed media and other combinations of techniques to create new works, and Picasso began utilizing pointillism and dot patterns to suggest planes and space.

By the end of the movement, with help from Picasso and Braque, Cubism had influenced more than just visual art. The Russian composer Igor Stravinsky was inspired by Cubism in some examples of his music that reassembled pieces of rhythm from ragtime music with the melodies from his own country?s influence. In literature, Cubism influenced poets and their poetry with elements parallel with Analytical and Synthetic Cubism, and this poetry frequently overlaps other movements such as Surrealism and Dadaism.

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?Buying paintings: Surrealism

Surrealists were a group of painters and artists that drew a large amount of inspiration from the potent impact from dreams. In the beginning, before this artistic movement was fully embraced, many civilized people questioned the value of these works of art. Though considered some of the more recent ground-breaking artwork yet to date by drawing on the psychoanalytic work of Freud and Jung, the Surrealist movement has not lost any of its’ prior affect on many a budding artist today, and influence from this art can be found in many of the works produced by the fresh artists of today.

Surrealism started as an outgrowth from another movement in the art world between the first and second World Wars. The movement that was later called Dada, and was most popular before the occurrence of WWI; many works of “anti-art” were produced as a reaction to the growing restrictions of the social world around at the time. Where Dada’s artwork was produced to deliberately defy the boundaries of reasonable interpretation, Surrealism expressed a more positive goal of combining a sense of the fantastic with a realistic eye, and creating a bold vision that took the idea of the surreal to the next level.

It is when reviewing the more creative and remarkable artists of this era, that one can come to realize the appeal and effect that the dreamy state of being has had on the art as a whole, and a person can come to grasp a more personal aspect to these unique interpretations of some of the issues that affect us today. Art is constantly being redefined from within, and it is solely upon the artist’s shoulders to weigh out the experience onto a canvas. It has been said that art imitates life and vice versa, but with Surrealism, the tables are certainly turned around when seen for oneself.

Artists and free thinking individuals such as; Andre Breton whom wrote the Surrealist Manifesto in 1924, to famed artist Pablo Picasso to whom Surrealistic success was achieved during his period of Cubism. Some of those artists who are now renowned as predecessors to the Surrealist movement began as affiliates of the Dadaism that was strongest during 1919 and the early 1920s, and some of those artists even took Surrealism to greater heights than before. Such as Marcel Duchamp who took to defying the boundaries in stride with his previous experience in the Dada movement.

Though some pieces can seem happenstance from a distance, the powerful intent of the artist to convey a new meaning through mixing up and recombining various creative influences, and even at times making new threads of thought from old ideas or objects is the goal of the artist. To defy the boundary that one has to each own their reality in life, and to put on a new sense of perspective, shaping the rest of a lifetime to come. Some of the more famed paintings are hard to find inexpensively, but buying prints can be the easiest solution to that problem.

There is still a great deal of work created today that draws heavily from the impact that Surrealist thought has made on art in general, and especially on how art can be defined on a truly individual front. The most world-renowned artists have already passed on, but their examples stand as firm points from which to gain an understanding of what Surrealism is, whether defined through a critical mind or as a sampling of how broad the area of art can be. Surrealism is an artistic expression of that state of mind that lies unexplained at the gateway of the subconscious.

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Buying Yellow Paintings

I?ve been watching yellow paintings at an online auction site. I wonder where these yellow paintings will end up hanging. There were twenty bids on a painting of yellow daffodils. It was really pretty.

I really liked the painting titled Red Flowers Yellow Ochre Morning. It came in three panels that were each 20?X16?. The picture online showed the painting above a bed and it just looked so clean and crisp. The medium for this painting was acrylic.

The smallest paintings that I found were on a panel bracelet. The paintings were of Indian and Near Eastern rulers. The paintings were put in an openwork gold frame set with seed pearls. This piece was created in the early twentieth century.

Another yellow painting that I liked was Yellow World by Karen Khachaturov. There were a lot of contrasting yellows in it. I could see yellow lemons and a beautiful yellow flower. The lemons were painted so realistically. This artist has paintings hanging in private galleries in over 40 countries.

I can only imagine that the oil painting of yellow roses by an unknown artist will hang in a lovely home. The painting has a nice quality to it. The petals of the yellow roses in the painting seemed to reach out as if they were still alive

There was a nice painting that had twenty bidders that was of a vase of yellow daffodils. The feel of the painting was that of one of the masters in impressionist art. The artist listed the item herself and she is also a poet and songwriter. I can close my eyes and see that painting hanging in someone?s formal parlor. It is so very elegant.

The future home of the French chic painting of yellow, lavender and pink roses must be that of a very feminine woman. When I was looking at the painting, I could almost smell the roses. I thought that the sale price of two hundred dollars was disappointing. I think it should have sold for more.

My search for yellow paintings found a painting entitled Yellow Taking Over. I don?t know why the artist titled his work like that. There was some yellow in this collage, but not much. The painting was done in 1956 by Nicholas Krushenick. It came from the personal collection of a famous photographer that works for the Village Voice. This would look good in someone?s law office.

I wish that I could have purchased the antique oil painting of exotic yellow flowers. The auction said that it was painted in 1897. The pictures made the painting look like it was in great shape for being over one hundred years old. It would look good on the wall of my guest bedroom.

Artist Heidi Vaught had a listing for a painting she titled Ambiance numbered 10. The painting had only one bidder and sold for the opening bid, one hundred dollars. I think the winning bidder got quite a bargain. This painting was abstract with lots of teal and yellow.

Another painting by Heidi Vaught went for sixty five dollars. This was another bargain, if you ask me. The painting was entitled Yellow Squared and it had a really dizzy feeling to it. I liked it at first sight.

I have a friend that would have like the painting I found of a yellow cat. It looked just like her cat. The painting was an original acrylic contemporary painting in yellow ochre. It would have complemented her modern furnishings.

Yellow roses make a wonderful subject. I never tire of paintings of yellow roses. My favorite recently was done by Joan Cobb Mayer. The interpretation was stunning.

There was one other yellow rose oil painting that caught my eye recently. This one was painted by Berniece Meyers. The bloom extended to all sides of the canvas and the center seemed infinite. I felt good after viewing it.

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?Buying Paintings: Synchromism

Synchromism paintings feature harmoniously balanced colors and a feeling of movement. It is believed that synchromist paintings evoke similar feelings and sensations as music. This is a basic tenet of the synchromism art movement. As such, these paintings make wonderfully pleasing additions to any modern art collection.

Founded in 1912 by Morgan Russell and Stanton MacDonald-Wright, synchromism was an art movement based no the idea that sound and color are phenomena that are similar in the way that the individual experiences and perceives them. Movement as well as organization of color into ‘color scales’ are the ways in which synchromism pieces correlate to musical art forms.

A basic tenet of synchromism is that color can be arranged or orchestrated in much the same way that notes of a symphony are arranged by composers. This harmonious arrangement of colors and shapes produces experiential results similar to that of listening to well balanced orchestral compositions.

Artists of the synchromism art movement believed that by painting in color scales could evoke sensations that were very musical in nature. Typically, synchromism pieces feature a strong rhythmic form or forms that then advance toward complexity in form and hue, moving in a particular direction.

In many cases, such explosion of color using color scales pours out in a radial pattern. It is most common for synchromism art works to have some sort of central vortex that bursts outward with color, into complex color harmonies.

The first painting to be dubbed a synchromism work, was Morgan Russell’s ‘Synchromy in Green’ which was exhibited in Paris at the Paris Salon des Independants in the year 1913. That same year, the first exhibition featuring primarily synchromist works by MacDonald-Wright and Russell was held in Munich, Germany. Following the synchromist exhibition in Munich, there were exhibits in both Paris and New York.

These first synchromist pieces were some of the first non-objective abstract paintings found in American art. These later became better known under the label of ‘avante-garde’. In this way, synchromism was the first American avant garde art movement that gained attention internationally.

Synchromism has been compared and contrasted to Orphism. Orphism refers to paintings that relate to the Greek god Orpheus, the symbol of song, the arts and the lyre. Though Orphism is rooted in cubism, this movement moved toward a lyrical abstraction that was more pure, in the sense that this form of painting was about synthesizing a sensation of bright colors.

Though there is little doubt that Orphism was an influence to later Synchromism, Synchromists would argue that it is an entirely unique art form. As Stanton MacDonald-Wright said, “synchromism has nothing to do with orphism and anybody who has read the first catalogue of synchromism … would realize that we poked fun at orphism.”

Several other American painters have been known to experiment with synchromism. Whether synchromism was a branch of orphism or its own unique art form, there is little doubt that the harmonious use of color and movement based composition inspired many artists and art forms. Among these artists were Andrew Dasburg, Thomas Hart Benton and Patrick Henry Bruce.

Though the majority of Thomas Hart Benton’s works centered on regionalism and murals, there was also a strong flair of synchromism. Benton’s interest and incorporation of synchromism was due mainly from having studied with synchromism artists such as Stanton MacDonald-Wright and Diego Rivera.

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